September 2, 2017
Supremacy in a Single Lens
Supremacy in a Single Lens


As the morning mist clears, and a deep blue sky spreads forth.
With a clap of thunder, the sky is covered with clouds, and large raindrops pour down.
Then comes sunset.
The trees turn greener with each rainfall.
It was a day shortly before summer arrived in its full glory.
The Tamron lens I carried
depicted the air itself in the crystal clear street after the rain.
What one looks for in a fast F/2.8 zoom lens is the ultimate in “definition.” Dependable descriptive power is an effective tool of expression. It’s only when a lens provides good definition in in-focus areas that the bokeh (defocused blur) in the out-of-focus areas come alive.
The lens offers high-speed AF thanks to the USD ring type ultrasonic motor with superior quietness, while the VC vibration compensation is a powerful ally under difficult low-light conditions when you are constantly shooting hand-held.
Exceptional lens coatings let you concentrate on the shot without worrying about halation or ghosting even with backlighting or powerful light sources. An anti-dust coating and weather-resistant construction are also employed, and all these advances culminate in an updated standard zoom that boasts a high level of completion and is suitable for any shooting environment. The focus and zoom rings offer just the right level of torque, while the design has a high-grade feel that sits well in the hand. Representing supremacy in a single lens, the SP 24-70mm F/2.8 G2 is fit for the shooting scenarios of the future.

Norifumi Inagaki
Born in Tokyo in 1970, Norifumi graduated from the Faculty of Social Sciences at Hosei University. After working in the editorial department of Magazine House BRUTUS and as a part-time cameraman for Asahi Shimbun’s AERA, he turned freelance. Beginning with China’s Silk Road, he has visited over 50 countries and regions, including Antarctica and the equator. Norifumi’s publications include a collection of photos, Tairiku Rōnin (“Wanderer of the Continents”), and his recent work Tabi, Tokidoki Leica (“Travel, and Sometimes Leica”), a collection of photo essays published by Ei-Publishing Co. Ltd.
Lens Featured in this Impression
-
-
SP 24-70mm F/2.8 Di VC USD G2 a032(Model )
The new SP 24-70mm F/2.8 Di VC USD G2 (Model A032) high-speed zoom is designed to maximize the potential of the latest high-pixel-density cameras while delivering best-in-class image quality. Our proprietary eBAND Coating resists ghosting and flare, making this lens ideal for backlit photography.
-
-
SP 24-70mm F/2.8 Di VC USD G2 a032(Model )
The new SP 24-70mm F/2.8 Di VC USD G2 (Model A032) high-speed zoom is designed to maximize the potential of the latest high-pixel-density cameras while delivering best-in-class image quality. Our proprietary eBAND Coating resists ghosting and flare, making this lens ideal for backlit photography.